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Sasha Opeiko

  • ABOUT
  • PROJECTS
    • (2019-ongoing) Obraz, Obrez, Ostatok
    • (2018) when people came out of the forest there was nothing
    • (2018) folds (with flatness, different sizes)
    • (2017 – ) Objects in Soviet Films
    • (2016-2017) 217 (Elephant’s Foot Surface Studies)
    • (2015-2017) 217 (Elephant’s Foot)
    • (2016-2017) Studies of Irradiated Robots
    • (2014) Hyperobject Studies
    • (2012-2014) Superstratum
    • (2013) some things like bee box devices
    • (2012) Caput Mortuum II
    • (2012) Caput Mortuum I
    • (2012) Vice Versa
    • (2011-2012) Solve et Coagula
  • COLLABORATIVE
    • (2021) The Futile Knocking of My Heart (with Martin Stevens
    • (2020) Extraordinary Measures (with Martin Stevens)
    • (2019) The Rhythm of Anxious Breathing (with Martin Stevens)
    • (2016) Selected Interior (with Martin Stevens)
    • (2014) FAVOURED OBJECTS (with Martin Stevens)
    • (2014) Third Line (with Martin Stevens)
    • (2013) Meta-Etcetera Hovercraft 1.0 (with Megan Press)
  • MISC. WORKS
    • (2019) Incidental Television in Soviet Films
    • (2019) image blocks
    • (2013–2017) Stacks
    • (2016) Elephant’s Foot (Process)
    • (2016 –) Photography
    • Misc.
  • WRITING
  • CV
  • NEWS

217 at the Art Gallery of Peterborough

Posted on 08/01/2020 by sashaopeiko

I am pleased to announce that my body of work 217, including Studies of Irradiated Robots will be exhibited at the Art Gallery of Peterborough January 18 – March 29, 2020. More details can be found here.

 

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