Obraz, Obrez, Ostatok (2021) translates from Russian as image (or appearance), edge (or slice), and remnant. The project reiterates fragments of appropriated Soviet-era images in combination with collected Soviet-era objects. Wall-based installations consist of Soviet-era materials juxtaposed with sections of film stills showing domestic objects, acquired from Soviet films of the 1970s-80s; portions of the constructions were photographed and printed on clear film to then be reincorporated into the constructions.