“Machinic Melancholy and the Latency of Abandoned Work.” tba: Journal of Art, Media, and Visual Culture 6, no. 1 (2025).
“Melancholic Nonhuman Processes: Disintegration, Diminishment, Refusal.” In The Genealogy of the Posthuman, edited by Ivan Callus, Stefan Herbrechter, and Manuela Rossini et al. 2025. Online resource, Critical Posthumanism Network. Link to entry.
Exhibition text for a movement of darkness on darkness, McIntosh Gallery. 2024. Link to PDF.
“Soluble Parts and the Mediated Depths of Posthuman Plasma.” Exhibition essay for I left parts of myself everywhere by Eeva Siivonen, Artlab Gallery. 2022. Link to the publication.
Exhibition essay for Recycled Sensations by Dong-Kyoon Nam, Modern Fuel. 29 Apr. 2017. Download the publication.
“Quietly at the Window.” Exhibition essay for Quietly at the Window by Laura Dutton. PAVED MEANT Vol. 1 (2012–2014), PAVED Arts, 2015, pp. 15–17.
Opeiko, Sasha and Martin Stevens. “Third Line.” International Journal of Žižek Studies. vol. 9, no. 1, 2015.
“Border Cultures: Part One (homes, land).” Review of Border Cultures: Part One (homes, land), curated by Srimoyee Mitra. FUSE Magazine, vol. 36, no. 4, 2013, pp. 47–48.
“Bracket(ed).” Exhibition essay for Bracket(ed) by Dickson Bou and Thomas Chisholm, Forest City Gallery. 11 Jan. 2013.
Sasha Opeiko 